Running pyro and SFX for a massive metal band is a dream job, but sometimes scheduling throws you a massive curve-ball. For the start of the summer 2026 festival season, I had the absolute privilege of handling the fire and special effects for Trivium.
My time with them was brief—covering just the rehearsal period and the first week of their festival run—before I had to pivot to another tour. Even though it was a short stint, it’s one I won’t forget anytime soon.
Dialing in the Fire
The gig kicked off with intense rehearsal days. When you’re dealing with a band like Trivium, the music demands a live production that matches their energy. We spent days locking in the cues, ensuring every blast of fire synced perfectly with their heavy riffs and blast beats.
Once we hit the road for that first week of summer festivals, the hard work paid off. Watching the crowd react to those first big hits from behind the console is a feeling that never gets old.
Top-Tier Band and Crew
What made the whirlwind week truly stand out wasn’t just the gear or the fire—it was the people.
The Trivium guys and their entire road crew are incredibly down-to-earth and welcomed me like family from day one. In this industry, a crew’s dynamic can make or break a tour, and Trivium’s camp is as professional, collaborative, and genuinely cool as they come. I thoroughly enjoyed every second on the bus and backstage with them.
Why It Was So Short (Enter the Wolves)
So, why did I leave right as the momentum was building? It was a classic case of a prior commitment calling. I had to jump off the Trivium tour to fulfill my obligations running special effects for Powerwolf.
Transitioning from Trivium’s aggressive metalcore setup to Powerwolf’s theatrical, gothic stage production means switching gears entirely, but that is the nature of the live music industry!
Huge thanks to everyone on the Trivium team for a killer start to the summer. Hopefully, our paths cross on the road again soon!
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